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Higbee & Associates


Country United States
State California
City Santa Ana
Address 1504 Brookhollow Dr
Phone 714-617-8394
Website http://www.higbeeassociates.com

Higbee & Associates Reviews

  • Dec 12, 2019

This lawyer sent my client a letter demanding $1,750 for use of their alleged client's photograph.

I emailed Shannon Quarles, Claims Resolution Specialist, and asked her to send me a copy of the copyright registration. (In the U.S., you can't sue anyone for copyright infringement if you don't have a copyright registration. You can get a copyright application expedited if you're willing to pay an extra $500, but otherwise you have ~6 month wait before you can sue anyone.)

She responded that her client had no copyright registration, but could still apply for one, if necessary. I responsed that the lack of a copyright registration meant I had no proof that their client actually owned the image in question, and I asked for proof. (Since there was no registration prior to any alleged infringement, their client, if entitled to anything, was only entitled to ACTUAL, not STATUTORY damages, and also not entitled to their legal fees.) I asked Quarles for recent licenses evidencing what the image was worth to prove actual damages.

I got an immediate response from Quarles, who probably sends the same invoice to every target, hoping no one will read it. It's a fake-looking generic document called "invoice" dated in May 2019 with the licensee's name redacted (blacked out so not readable) for 5 images @$350 each, for a total of $1,750.

I responded that apparently their demand was 5x what the image was worth, and I again asked for a negative proving their client owned the image in question.

I then did a reverse image search, and the only thing that came up was an image from almost 10 years ago --not from 5 months ago. That means Quarles' claim that the image had been recently licensed was BS. Or if it had been licensed, the licensee wasn't actually displaying it anywhere on the internet, and why would anyone do that?

I then searched for the buildings whose names in the image file names listed in the fake-looking invoice. None of the 5 had a name even remotely similar to the actual building in the image in question, and none of them looked remotely similar to the building in the image in question.

So then I accused Quarles of sending me a fake invoice, and argued that her client had no valid claim. She then gave me "one last chance" to resolve the claim before she "escalated" it to Cody Donnell, Senior Claims Resolution Specialist. I responded that if this firm escalated this claim and sued my client based on these facts, I'd seek Rule 11 sanctions against the Higbee firm. I told her to stop pretending there was any claim to resolve.

  • Jul 3, 2019

Over 14 days one guy from this company was molesting me over email about one image copyright!!!! I was telling them that that picture i have all right to use because the owner of the shop where i was selling products give me all permission to use the picture.

Days and days he over and over emailing me that client seeking $2000 damage????? Sorry $2000???

Hmm, become a lot strange when i notice different phones on email and on the website! Bingo !!!! Scammers are got.

Now, in order to hide the intent, these illegal extortionists are using these scumbag attorneys to threaten people into paying them large sums of money for images used on web sites.

  • Apr 24, 2019

If you are a blogger, small business, non-profit or any entity in the US received an email and/or letter from this law firm , or you already paid some money to settle read below. We need to come together and file a class action lawsuit against this unethical Mathew K. Higbee Copyright lawyer.

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The below information is copied from Consumer Law and Policy Blog. To educate everyone about this Law firm unethical practice.

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Over the past few years, the law firm Higbee and Associates (based in Los Angeles, although it pretentiously labels itself a "National Law Firm") has become identified with a pattern of making aggressive and, in many cases, unsupportable demands for the payment of significant sums of money by individuals and nonprofits whose web sites feature copyrighted graphics, and especially photographs, that they saw online but have never tried to license.

The firm’s principal, Mathew Higbee, revels in his reputation for aggressive enforcement. (The interview linked above, for example, is featured on his own firm’s web site.)

Either in concert with a specialized search firm or using his own firm’s software, this firm patrols the Internet looking for graphics (especially photographs) that have been copied improperly from online sources. The firm then sends a demand letter bearing Higbee's signature, threatening to seek up to $150,000 in statutory damages as well as attorney fees unless the target of the letter promptly agrees to pay a specified amount. Deploying a tactic that is all too familiar from the depredations of Evan Stone and Prenda Law, the specified amount is low enough – usually in the low four figures, but I have seen high three figures as well —that it is not likely to be cost-effective for the target to hire a knowledgeable copyright lawyer to litigate an infringement lawsuit, even if the claim is bunk or, at least, if there is good reason to believe that the claim can easily be defended.

The letter encloses a document identifying the allegedly infringing use as well as the online location where the work was found; another document that purports to authorize the firm to represent the copyright holder in seeking damages in connection with the work; a proposed “settlement agreement”; and a credit card payment form.

If the target of the letter does not respond, or responds without agreeing to pay, then the Higbee firm increases the pressure: a non-lawyer who calls herself a “claim resolution specialist” sends an email warning that the claim is going to be “escalated to the attorneys,” at which point “[t]claim gets more stressful and expensive,” and an assurance that “my goal is to not let that happen to you.”

The documents linked above all relate to a single Higbee demand to a single target, but I have seen a number of other demand letters and ensuing emails from this firm, and spoken to several other copyright lawyers who have helped clients respond to Higbee’s blustering and threats, and it appears to me that these are pretty standard exemplars.

Indeed, when I was reaching out to some other copyright lawyers to try to get their sense of some of the documents I was reviewing, a number of them guessed that it was Higbee based only on what I said I wanted to ask about, based on work they had done for their clients trying to address his threats against them. Plainly, this is a copyright troll with an outsized reputation.

The Demand to Homeless United for Friendship and Freedom (“HUFF”)

As it happens, I had heard recently from colleagues in the copyright law community about threats that Higbee was making to nonprofits when I was contacted by Thomas Leavitt, a former client in a free speech case, about a Higbee demand to Homeless United for Friendship and Freedom (“HUFF”). HUFF is a loose-knit activist group in Santa Cruz, California, that addresses issues of poverty, with specific reference to homelessness.

It maintains a blog which, among other things, shows media coverage related to homelessness. On August 6, 2012, the blog reposted an article from the New York Times about a mass detention of migrants in Greece. That article featured a photograph showing an immigrant in the hands of the Greek police. The photograph could be seen in the HUFF blog post, along with the photo credit “Angelos Tzortzinis/Agence France-Presse — Getty Images.” but although the text of the Times article was placed directly on the blog, the photograph appeared only by virtue of deep-linking to the graphic as it appeared on the Times’ own web site, at this address.

More than six years later, on January 2, 2019, Mathew Higbee sent HUFF his demand letter, accompanied by the other documents described above. Several things jumped out at me. First, instead of reciting that the copyright in the photograph had been registered, and either attaching the registration or at least citing the registration number, the letter recited the photo’s “PicRights Claim Number” – a matter of utterly no consequence for the recipient of the demand.

The registration number, by contrast, is far more significant in this context, because, for most copyrighted works (the exception is discussed below), a copyright holder cannot bring suit for infringement until the copyright has been registered, and regardless of the exception, a copyright holder cannot seek statutory damages or attorney fees for infringements that take place before registration, or even for infringements that continue after registration unless the copyright was registered promptly after the work was first published. Because this photograph appeared in the New York Times within a day after the photo was taken, and more than six years before the demand letter was sent, a failure to register would have meant that the letter’s warning about statutory damages and attorney fees was an empty bluff meant to intimidate.

Second, the letter was plainly a boilerplate form, containing somewhat stilted language that was poorly adapted to the specifics of HUFF’s claimed infringement. For example, the letter varies back and forth between referring to the recipient in the second and third person singular, suggests that HUFF might have its wages garnished, warns of action against “the business owner,” and refers to “the attached exhibits” even though only one exhibit was attached. Indeed, the “representation agreement” that was provided along with the demand letter, purporting to show that Agence France-Presse, PicRights and a European version of PicRights had authorized Higbee to pursue claims on its behalf about HUFF’s alleged infringement with respect to this specific photograph, did not identify the photograph but simply indicated that Higbee was handling “a copyright infringement matter.”

Third, the exhibit revealed Higbee’s recognition that the “infringing location” for the copyrighted work was not HUFF’s own web site but rather the web site of the New York Times which, presumably had licensed the photograph (I was able to confirm that assumption by contacting the Times’ legal department). And the Court of Appeals for the Ninth Circuit has decided, in Perfect 10 v. Amazon, that Google does not infringe a photographer’s copyright by including images in its search results, because American copyright law does not prevent the “framing” of deep-linked images that actually sit on the server of a party that is entitled to display the photograph and serve copies of the image to visiting viewers; it is only displaying and distributing from the defendant’s own server that violates the copyright laws (the “server test”).

Higbee Retreats Rapidly When Challenged by a Lawyer

Consequently, I wrote back to Higbee, asking directly whether the copyright in the image had been registered, and pointing out some of the legal flaws in his demand letter as well as the bullying email that had been sent as a followup by his "claims resolution specialist," Rebecca Alvarado. I told him that he needed to issue a prompt retraction of the demand, else we would be seeking a declaratory judgment of non-infringement. At the same time, to eliminate any risk that we might be suing a copyright holder that had never actually authorized the making of threats in its name, I reached out to Agence France-Presse’s lawyers in France, and was able to obtain their verification that they had, indeed, authorized Higbee’s threatening communications. Consequently, I reached out to identify California counsel so that we could file suit promptly if that were needed.

What followed was a rapid retreat by Higbee, accompanied by some truculence while, at the same time, he signaled his recognition both that he had no basis for seeking any monetary relief for his client, and that I knew that he hadn’t a leg to stand on. First, he sent me an email on February 1, dropping PicRights as a client, insisting that he had a viable basis for suing on the image (while implicitly admitting that his client had not registered the copyright), and implicitly dropping as well the demand for $1775; instead, he asked me to make “some reasonable offer” comparable to the cost of filing a federal court complaint ($400) as well as service costs (which would have been free under the waiver of service procedure”).

The redacted email address on the cc line was my client’s email, violating his ethical obligations given that the client was represented by counsel. (In a separate email chain, Higbee tried to excuse this violation by claiming that he had no idea I was a lawyer, but I found that statement less than credible, particularly considering that I know of at least one other situation in which his firm made contact with a party after an attorney contacted the Higbee firm on the party's behalf in in response to the demand. Higbee also asked me how a lawyer not belonging to the California Bar could help a California client in a copyright matter. The mere fact that he thought he had to make this point told me how desperate he was getting to avoid the merits).

I responded to his February 1 email with this letter, which explained why the arguments he had put forward in his email could not save his claims. His next responses (shown in this exchange) made clear that he knew he was on the ropes – first he said that a “semi-reasonable offer” would be enough, and then he asked plaintively that at least our client might remove its deep link to the photograph – when I declined he told me that the refusal was “absurd.” In the meantime, I learned about some astonishing developments regarding a demand letter that Higbee had made to a community college professor named Claudia Eckelmann relating to the inclusion of a cartoon in the online syllabus that she had provided for her students’ edification.

She responded to Higbee’s demand letter and subsequent bullying emails by filing a complaint against Higbee’s firm in state small claims court (not against the copyright-owning client), seeking a declaration that she did not owe anything. Eckelmann told me that she had immediately taken down the syllabus when the Higbee’s client first contacted her; but apparently that did not appease Higbee’s relentless appetite to squeeze money out of potential targets.

Higbee responded by removing the state-court proceeding to federal court, asserting both that the court had subject-matter jurisdiction because the dispute was really about copyright infringement (Higbee seems to have ignored the rule that, for a removal to be proper, federal jurisdiction has to be shown on the face of the state-court complaint, and the state complaint does not make clear whether Eckelmann seeks a declaration of non-infringement or a judgment under state unfair business practices law). Indeed, his notice implicitly suggests, at the same time, that there was no case or controversy because, given Eckelmann’s recalcitrance, his firm had decided to “close” the case. Of course, if there was no case or controversy there would be no Article III jurisdiction to hear the removed case.

I suggested to Higbee that he might extricate Agence France-Presse from the possibility of having to defend against a declaratory judgment action in which it could not possibly recover any significant monetary relief without retracting the demand and thus admitting that it was wrongful, by simply doing the same as what he had done with Eckelmann, declaring the case closed. And that is what he did.

Lessons for dealing with copyright demands from Higbee

Steve Vondran has posted some broad suggestions about how to consider and address copyright demands from Higbee; my ambition here is somewhat narrower. Considering the recent spate of demands from the Higbee firm seeking to enforce non-registered copyrights, the first thing a recipient should do is look to see whether Higbee has claimed that the copyright has already been registered and provided the registration number. If the copyright has not been registered, he cannot bring suit on an alleged infringement unless the work is not a “United States work” – as discussed in my second letter to Higbee, that term refers to any work that was first published in the United States, or first published simultaneously in the United States and abroad (at least, most countries); “simultaneously” is defined by the Berne Convention as meaning within thirty days of each other.

To be sure, a copyright owner can register at any time and then sue, but as explained in my first letter to Higbee, such a plaintiff cannot obtain statutory damages and attorney fees for infringements that occurred only before registration, and cannot obtain that relief if registration is effected more than three months after the first publication. That limitation applies even if the photograph was not a United States work. That, to me, is the real explanation for Higbee’s retreat (and his retreat in other cases of which I am aware)- – it costs money to register, and he and his clients cannot make money on the cases if he cannot win statutory damages and attorney fees. So in addition to questions of fair use, the issue of registration is the first matter a recipient of his letters should explore. It is the key to the situation.

For Higbee, who repeatedly asked me what he should do better, this is my public response: either stop trying to enforce unregistered copyrights, or at least be honest in your demand letters about the fact that you have no claim for statutory damages and attorney fees, and take those cases on an hourly basis without making deceptive threats to seek statutory damages and fees.

Is Higbee deliberately misleading his targets?

The HUFF matter would have ended with Higbee’s statement to me that he had “closed" the case, as he claimed to have done with respect to Eckelmann, except that, a couple of days later, I received this remarkable email from one of Higbee’s "claims resolution specialisists," Rebecca Alvarado. Here she was, AFTER her boss had "closed the case," responding to my initial email to Higbee on behalf of HUFF, and warning that, despite my points, the “fact is there is a copyright claim on the table” and that she was “willing to work with me to see that the claim is resolved.” She gave me her direct line, so I called her to find out just what resolution she had in mind, as well as what she might tell me about the nature of the firm’s practice.

The call was enlightening. Unlike Higbee, who never directly responded to my question about whether the copyright was registered, and claimed to have some basis for arguing that statutory damages could be sought even despite his client’s apparent failure to register the copyright in timely fashion, Alvarado made no bones about the facts that the copyright was unregistered and that statutory damages were hence not available; instead, she told me, defensively, that the demand letter did not say that statutory damages would be sought, but only that these might be “possible” in some circumstances.

She told me that her client was only seeking actual damages, in terms of the lost licensing fee — but she could not tell me what that licensing fee was (so, how could she “resolve” the copyright claim?). And she admitted that her firm’s business model involves paying its clients a fractional share of the moneys that they wring out of their victims. She told me that she did not know what the fraction was, but Higbee told Fast Company that clients who came to him through a no-longer-existing service called “Copypants” received 50% of the financial gain. Moreover, he boasted as well that some 75% to 80% of the targets who receive his demand letters pay him without having to be taken to court. With numbers like that, it is no wonder that an otherwise reputable copyright holder like Agence France-Presse is apparently willing to give him free rein to represent that he is proceeding on its behalf. Considering his abuses, however, this company ought to be ashamed of using an enforcement representative like Higbee.

It is hard not to have concerns about his apparent overreaching. When he sends demand letters with respect to non-registered copyrights, he has no business referring to the possibility of an award of $150,000 in statutory damages as well as attorney fees, which are legally precluded. In the course of preparing this article, I spoke to a number of legitimate copyright lawyers who told me that, when they send demand letters claiming infringement on behalf of their clients, they would never refer to statutory damages in a demand letter if registration has not been effected in a timely fashion. The use of the word “possible” is not likely to save the firm from the conclusion that their demand letters deliberately convey a misleading impression. This problem is exacerbated by what appears to be the standard followup email from paralegals such as Alvarado who tell victims that the dispute is about to become ”more stressful and expensive” if the matter is “escalated to the attorneys,” while portraying themselves as the good cops who can save the victims from the bad cops.

As I see it, Higbee is skating at the ethical edge here. If he does this on a regular basis, as it appears he does, he may will be leaving himself vulnerable to a class action claim from victims to his bullying who have paid him based on such misleading representations.

When Higbee and I had a telephone conversation about his “closing” the case against HUFF, he made the remarkable statement, plainly intended to portray himself as a good guy about whom I was getting the wrong impression, that the reasons why he was closing the case against HUFF, and why he had closed the case against Eckelmann even though she had defied his firm without the aid of counsel (and against another of my clients), was that the firm undertakes careful screening when a situation is moved to “the litigation track.” It was that screening, he said, that revealed that HUFF’s and Eckelmann’s uses were entirely non-commercial.

The plain implication from this statement was that no such screening had taken place before the demand letters went out. When I told him I saw this implication, he was quick to deny it, saying that his firm also screens cases before demand letters are issued. However, he could not explain what the nature of the pre-demand-letter screening had been in any of these cases, or how he had missed what should have been obvious on the face of each situation.

The "claim number" on his demand to HUFF was 518891; I had seen a demand letter he sent less than four months earlier bearing claim number 514822; with the volume of demand letters that this implies, how careful could the pre-demand screening be? And besides, if three-quarters to four-fifths of all recipients of his demand letters pay up without contesting potential liability, how much comfort can we draw from the claim that there is more careful screening at a later stage?

In addition, I have been in touch with Agence France-Presse’s counsel in Europe about their enforcement strategies. Their explanations relate entirely to a desire to present large businesses from using their content without paying license fees. But it appears that Higbee is using their imprimatur to do much more than go after businesses, and that Agence France-Presse is profiting from unjustified demands made to targets well beyond the big businesses they claim to be targeting. This company should, as I see it, be held to account in the court of public opinion if not in other courts for its complicity in Higbee’s enforcement schemes.

Not All of Higbee’s Claims to Enforce Copyright Are Equally Sleazy

Despite what I have discussed above, there is a core of legitimacy to some aspects of Higbee’s practice. There are too many Internet users who assume that the mere fact that an image is sitting in an open location online is a sufficient reason to copy that image and paste it onto their own web sites. That assumption is simply not correct. Indeed, photographers earn a living by taking photos, developing them in an attractive and compelling manner, and selling copies, or the right to make copies, or allowing others to disseminate or display their work. Creators of content deserve to be paid.

One of Higbee’ longstanding clients, for example, is a photographer named Alexander Wild who specializes in photographs of insects; a number of Higbee’s cases are brought against pest-control companieswho use Wild’s images without a license. These companies deserve what happens to them when they get sued, and the copyright eco-system is well-served by the existence of the Higbee’s practice, which stands as a warning that copying that cannot be defended as fair use can be costly.

But the fact that some of his work is entirely legitimate does not excuse the sleazy part of his practice. For this, he deserves public obloquy, and clients such as Agence France-Presse that take advantage of Higbee’s services to make illegitimate profits from victims who are too unsophisticated about the law to understand how they are being taken deserve to be shamed along with him.

Acknowledgments

In closing, I want to express gratitude to several copyright scholars and copyright lawyers who were willing to talk to me about Higbee and to help me think through the copyright law issues. Heidi Tandy was willing to be named; others who prefer to remain anonymous to protect their clients. I am especially grateful to Joseph Gratz, who, in addition to discussing the issues with me, signed on as co-counsel when it looked as if HUFF was going to have to file suit for a declaratory judgment of non-infringement.

  • Jul 10, 2018

This is yet another entry into the field of scummy 'photo use' extortionists. They send threatening letters to people demanding payment for usage of images that they find scraping the internet. This is an offshoot of the Getty scam letters that started pouring out years ago, with the majority of them coming from Seattle. Now, in order to hide the intent, these illegal extortionists are using these scumbag attorneys to threaten people into paying them large sums of money for images used on web sites.

These guys are the lowest form of pond scum. If you get an extotion letter from them, DO NOT RESPOND. Everything they are doing is illegal. Total and complete d***** bag lawyers.

  • May 2, 2017

I have been patiently waiting for this law firm to handle my very simple request from almost a year ago.

I have never once received a phone call or status update, unless I leave messages on top of messages. To this date, my case is still not even filed with the court. I had a company who was ready to work on my case right away, and went with these guys, and it seems my case hasn't been worked on at all here.

I am requesting a full refund, my next step is going to the California state board and informing them that my money was taken and my case was never even filed with the court. Almost a whole year ago, I trusted this firm to do their job, and they have failed miserably. Since hiring this firm, I have never been contacted regarding my case. After reaching out, I get emails apologizing for the delay.

But that's not what I paid for.

Please advise how I can go about getting my money back and hiring an actual law firm that will handle this for me.

I was contacted by a Melanie, and she was absolutely RUDE as HELL! I have already filed a serious complaint with the BBB! This has gone too far. She literally babbled until I couldn't stand any more of her nonsense! I am demanding a FULL REFUND as NO SERVICES HAVE EVER BEEN processed for my case which I hired this firm for almost a year ago. TODAY is the 1st day they are actually going to file something for my case... Unbelieveable!

After reading other rip off reports, I am starting to see this is the Norm for this company! Sad but true. Sometimes we don't dig in and do this real research until it's too late and you've already been scammed BUYER BEWARE!!!

  • Jun 8, 2016

I had hired Higbee & Associates to clear my information from 31 listing websites and databases. There was clear incompetence by the staff in their ability to operate a computer dealing with a high resolution scan. Despite this inconvenience, I tried to work with the firm.There was a lack of communication and when I checked the status of my service, I was treated horribly by the agent handling my service. When I was told it was done, I had checked the results myself to confirm the service had been completed properly. However, I had found that only a handful of the listed websites were valid operating sites. The other half that the firm listed were false.

Out of the valid sites, some of them still had my information displayed. So in short, the firm failed to provide the service for which I had paid. About half of the valid sites were based on a phone number search only.

This listing was also not removed. When I contacted the firm about this, they stated that they do not remove phone numbers. If this was the case, then why were these "phone number only" sites provided as part of the promised 31 sites. The firm did not provide an answer to this issue or the invalid sites issue.

For the un-removed info issue, they stated that "I did not give them THAT city which I had lived" I had provided all requested info and offered more addresses during the initiation process and they had refused my additional info. When I had tried to call about these problems with their service, they did not answer the phone and I was forwarded to voicemail. I then went to the office and was told that the agents "do not visit with client" and the attorneys are "in a meeting". That is a known business excuse for get lost, we already have your money.

The website advertises a "money back guarantee". But in reality, this is not as much an issue of my happiness of any services provided, rather an instance where certain services were promised prior to payment, and then were not provided after payment. In short, they took money for services they had failed to provide, then made no effort to fix the issue when confronted. This is the definition of fraud. Does the Bar Association now allow its members and their assigns to commit fraud? We are at a new low in America.

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